Before you begin
- Two ready, plan-compatible instrument channels.
- A saved copy of the rig. The onscreen keyboard can test the split; a hardware keyboard is optional.
1. Set the lower range
- The upper split boundary is set to B3.
This example splits at MIDI note 60, shown as C4. Keep the lower instrument below that note.
- Select the lower instrument channel and open Attributes > Input.
- Scroll the phone’s horizontal Input cards if High Key is outside the pane.
- Use High Key’s steppers to set MIDI 59, B3. Leave Low Key low enough for the register you intend to play.
2. Set the upper range
- The pink layer ends at B3; the blue layer begins at C4.
The upper instrument should begin at the next semitone.
- Select the upper channel and return to Attributes > Input.
- Set Low Key to MIDI 60, C4. Leave High Key high enough for your upper playing range.
- Leave transpose at zero until the boundary works; add octave shifts only after the split is confirmed.
3. Check the boundary and save
- Play a key to audition the current sound.
Do not set both channels’ boundary to C4 unless you intend that note to play both instruments.
- Open Layers and inspect the adjacent ranges.
- Play B3 and C4, then notes farther below and above. Watch which channel meter responds.
- If the boundary works, save the preset with a name such as Sunday Split and recall it to verify.
Expected result
What you should have now
B3 and lower notes play the lower sound; C4 and higher notes play the upper sound. The split returns when the saved preset is recalled.
Common problems
- Both sounds play C4
- High/Low are inclusive. End the lower range at B3.
- A gap is silent
- Set consecutive boundaries and confirm they are not transposed unexpectedly.
- Learn Key never completes
- It is waiting for a real incoming note. Cancel and use the steppers when no controller is connected.